Joan Rivers: A Piece of Work takes the audience on a year long ride with legendary comedian Joan Rivers in her 76th year of life.  Peeling away the mask of an iconic comedian and exposing the struggles, sacrifices and joy of living life as a ground breaking female performer. The film is an emotionally surprising and revealing portrait of one the most hilarious and long-standing career women ever in the business.

Cinematographer: Charles Miller
Editor: Penelope Falk
Music: Paul Brill

In the summer of 2007, shortly after the release of their 6th album ICKY THUMP, The White Stripes headed north of their hometown of Detroit to embark on an ambitious journey across Canada. The plan was to play a show in every province and territory in Canada, from B.C. to Newfoundland to Nunavut. “Having never done a tour of Canada, Meg and I thought it was high time to go whole hog…from the ocean to the permafrost” says Jack White. “We wanted to play out of the way towns that don’t usually get shows…the shows are better, it’s better for the people, it’s a better experience, it’s way more unique, something interesting is going to happen…hopefully.”

White called upon filmmaker Emmett Malloy to come and document this trek for the band. Malloy had directed videos for the band in the past, and seemed eager to hit the road with them. Equipped with a couple of 16mm cameras, and a few other documenting devices, the band and crew all headed north. The end result was UNDER THE GREAT WHITE NORTHERN LIGHTS.

An un-missable look at one of the art world’s most fascinating controversies and a celebrated selection of the Toronto, New York and AFI Film Festivals, Don Argott’s gripping documentary THE ART OF THE STEAL chronicles the long and dramatic struggle for control of the Barnes Foundation, a private collection of art valued at more than $25 billion.

In 1922, Dr. Albert C. Barnes formed a remarkable educational institution around his priceless collection of art, located just five miles outside of Philadelphia. Now, more than 50 years after Barnes’ death, a powerful group of moneyed interests have gone to court for control of the art, and intend to bring it to a new museum in Philadelphia. Standing in their way is a group of Barnes’ former students and his will, which contains strict instructions stating the Foundation should always be an educational institution, and that the paintings may never be removed. Will they succeed, or will a man’s will be broken and one of America’s greatest cultural monuments be destroyed?