Pelle wants a change from his change of scenery. Another day, another place, another postcard, another girl…. But is Veronica really just another girl? It was only supposed to be a stolen, sweaty day together in Texas, and all they have in common is too many hours watching THE SIMPSONS. But when circumstance brings Veronica to Pelle’s door in Denmark, this “casual” fling shakes things up for his best friend and family as well. Comedy and tragedy entwine in I’LL COME RUNNING, Spencer Parsons’ feature directorial debut, a broken romance about what happens when a stranger accidentally changes your life.

Madonna’s directorial debut, Filth and Wisdom, is a hilariously sexy tale of three roommates who must delve into mischievous and naughty behavior in pursuit of bigger and brighter futures. A Ukrainian immigrant, A.K. (Eugene Hutz), finances his dreams of ‘trans-continental superstardom’ with his band, Gogol Bordello, by turning tricks as a role-playing cross dresser. As A.K. literally whips the privileged of London into shape, he also secretly pines for the object of his affection, Holly (Holly Weston), an aspiring ballerina looking for her big break while moonlighting as a slippery stripper. Meanwhile, Juliette (Vicky Mclure) steals medicine from her pharmaceutical job in hopes of quenching her dreams of helping Africa’s youth.  Filth and Wisdom is every bit as erotic and playful as it is poignant and touching, revealing the universal struggles we all face in our pursuits of happiness.

Judith is an attractive, level-headed woman in her fifties.  She lives alone and regularly treats herself to the sexual services of young men selected on Internet escort sites.

That’s how she meets Patrick, whose kindness and simplicity win her over. She starts seeing him regularly.

This charming young man, whose real name is Marco, only works as an escort to pay the mortgage on the hair salon run by his beloved wife, Fanny.

Fanny thinks he works on construction sites.  When she learns the truth, Marco stops selling his favors.

However, little by little, as times get tougher and money grows scarce, Fanny herself pushes her husband back to his lucrative activities.  And back to Judith…

A love story of bikes and one-night stands told through two African-American twenty-something’s dealing with issues of class, identity, and the evolving conundrum of being a minority in rapidly gentrifying San Francisco-a city with the smallest proportional black population of any other major American city.

We find Xavier (Romain Duris) 5 years after L’AUBERGE ESPAGNOLE; he is now thirty years old.  He has realized his childhood dream and has become a writer, but he still seems a little lost.  Earning a living by writing is not easy and he has developed a few financial problems.  He also has trouble settling down with a girl he has one meaningless romantic encounter after another.  He lines up a confusing series of jobs related to writing he’s a journalist, a ghostwriter, a soap opera writer or a screenwriter for junk TV series.  He does what he can, meaning that he’s a little messed up . . . Divided between his ex-girlfriend, his mother, his passing romantic encounters and his lesbian pal, Xavier has a hard time getting his work done properly, which is conceiving and writing a simple, normal love story.